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Doc’s Recent Posts
- The Reinvention of the Novel
- 4 Poet Tips That Sharpen Your Prose
- Conquering the Blank Page
- Kicking Your Brain into Gear
- Forcing Your Brilliance to Come Forth
- What If I’m Not Feeling Creative?
- Turning Plots into Published Stories
- Coordinating Creativity’s Four Phases
- Even Great Ideas Need Structure
- Overcoming Intimidation in Prequel-Writing
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Doc Hensley on Writing- The Reinvention of the NovelPart 1 in the series, “The Contemporary Novel Needs CPR” Technology is blinding us to the fact that the novel, as a creative format and literary venue, has not evidenced any innovations or breakthroughs for more than half a century. … Continue reading → […]
- 4 Poet Tips That Sharpen Your ProseMost poets convey more of a message in 250 words than most prose writers do in 1,250 words. That’s because poets select words for their maximum impact. Poets are concerned about how a word sounds; how it meets the eye … Continue reading → […]
- Conquering the Blank PageConclusion of the series, “Advice for the Tortured Novelist” These four tips will help you break through writer’s block. 1. Do a timed writing session. Set an alarm clock for ten minutes. Attack your writing with a vengeance. Type out … Continue reading → […]
- The Reinvention of the Novel
Category Archives: Professional Writing
The Reinvention of the Novel
Part 1 in the series, “The Contemporary Novel Needs CPR” Technology is blinding us to the fact that the novel, as a creative format and literary venue, has not evidenced any innovations or breakthroughs for more than half a century. … Continue reading
Posted in Professional Writing
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4 Poet Tips That Sharpen Your Prose
Most poets convey more of a message in 250 words than most prose writers do in 1,250 words. That’s because poets select words for their maximum impact. Poets are concerned about how a word sounds; how it meets the eye … Continue reading
Posted in Professional Writing
Leave a comment
Conquering the Blank Page
Conclusion of the series, “Advice for the Tortured Novelist” These four tips will help you break through writer’s block. 1. Do a timed writing session. Set an alarm clock for ten minutes. Attack your writing with a vengeance. Type out … Continue reading
Posted in Professional Writing
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Kicking Your Brain into Gear
Part 2 in the series, “Advice for the Tortured Novelist” Try these four methods for ramping up your creativity: 1. Consider the audience first. Pick up a notepad and jot down responses to such key questions as, “Who, specifically, am … Continue reading
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Forcing Your Brilliance to Come Forth
Part 1 in the series, “Advice for the Tortured Novelist” Forget all of those stupid scenes in old-time movies wherein the tortured novelist is seated in front of his manual typewriter staring at a blank piece of paper. He takes … Continue reading
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What If I’m Not Feeling Creative?
Conclusion of the series, “Increasing Your Level of Creativity” My literary hero, Jack London, once said, “Don’t wait for inspiration. Light out after it with a club. If you don’t get it, you’ll get something remarkably like it.” This advice … Continue reading
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Turning Plots into Published Stories
Part 3 in the series, “Increasing Your Level of Creativity” My success as a short story writer and novelist can be reduced to a three-step procedure: come up with a fascinating plot; bang out the first draft of the story … Continue reading
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Coordinating Creativity’s Four Phases
Part 2 in the series, “Increasing Your Level of Creativity” When facing a creative challenge as an author – outlining a novel, drafting a keynote address for a writers’ conference, crafting a short story – professionals engage in a four-stage … Continue reading
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Even Great Ideas Need Structure
Part 1 in the series, “Increasing Your Level of Creativity” I know two things for sure about creativity. First, no one creates out of a void or vacuum. Until you put something in, you can’t get something out. Second, you … Continue reading
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Overcoming Intimidation in Prequel-Writing
Conclusion of the series, “Once Before a Time: Creating Prequels” We’ve talked about motion-picture prequels and how to write prequels of works that are in the public domain. Obviously, it seems a bit audacious to assume that one would be … Continue reading
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